Timothy Nouzak

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	<title>Timothy Nouzak</title>
	<link>https://timothynouzak.com</link>
	<description>Timothy Nouzak</description>
	<pubDate>Fri, 30 Jan 2026 19:56:28 +0000</pubDate>
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		<title>slideshow</title>
				
		<link>https://timothynouzak.com/slideshow</link>

		<pubDate>Sat, 24 Jan 2026 13:45:25 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

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	<item>
		<title>short bio</title>
				
		<link>https://timothynouzak.com/short-bio</link>

		<pubDate>Sat, 24 Jan 2026 13:45:29 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

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Engaging in the development and realization of community-oriented artistic formats at the intersection of performing arts and social practice, Timothy’s research explores alternative modes of theory-building and knowledge transfer as socially situated practice.


 As a current research fellow at the APL of the University of Applied Arts Vienna, pursuing doctoral studies (Dr.phil) in collaboration with the Faculty of Cultural Sciences at the University of Salzburg and working as a strategy consultant at the D/Arts Project Office for Diversity and Urban Dialogue, Timothy develops and facilitates cross-cutting artistic dialogues that explore the intersection of performing arts, communication science and social practice. Read more here.

	
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		<title>feature 1</title>
				
		<link>https://timothynouzak.com/feature-1</link>

		<pubDate>Sat, 24 Jan 2026 13:45:26 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

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		<description>Common-Works.


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As work series spanning over 8. editions across Europe, Africa, and Asia, Common-Works is a guided space of exchange, a safe setting in which performers come together to improvise, share, and experiment. Building on the ideas and concepts that have circulated through previous iterations of the score, each edition searches for a new point of entry. The work centers on cultivating a social and supportive environment in order to develop diverse conversational and practice-based strategies for sharing knowledge and proposing alternative structures of representation in relation to the collective performing body.


Funded by the Bundesministerium für Wohnen, Kunst, Kultur, Medien und Sport (BMWKMS), in support with 臺藝大造形表演工坊 Atelier Transformeurs, NTUA – National Taiwan University of Arts-台藝大, and 台北國際藝術村 Taipei Artist Village, ROSAS / P.A.R.T.S. – STUDIOS Creation Support Programme, École des Sables – Germaine Acogny / Jant-Bi, BAU Amsterdam, Brakke Grond, VEEM – House for Performance, Tanztendenz München e.V., Schwere Reiter Theater, Künstlerhaus Wien, among others.

Read more here.

	
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		<title>feature 2</title>
				
		<link>https://timothynouzak.com/feature-2</link>

		<pubDate>Sun, 25 Jan 2026 10:43:07 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

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		<description>Research.


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Within the framework of the doctoral research project&#38;nbsp;“Transient Relations. Transindividuation and Embodiment within the Ecosystems of the Now”, 
Timothy examines dance and performance as socio-cultural formations shaped by shifting regimes of contemporaneity and (critical) globalism, investigating how aesthetic practices are mediated by their institutional and geopolitical conditions.The project reflects on transindividuation, collectivity, and embodiment as key catalysts for societal change by rethinking how responsibility, participation and decision-making take form within evolving transnational artistic ecosystems and their infrastructures of production, circulation, and legitimation. Funded by BMBWF - Bundesministerium für Bildung, Wissenschaft und Forschung.Read more here.

	
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		<title>feature 3</title>
				
		<link>https://timothynouzak.com/feature-3</link>

		<pubDate>Sun, 25 Jan 2026 12:23:58 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

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		<description>Lectures.
	
	
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Navigating the intersection of performance art, artistic research, and cultural studies, Timothy focuses on facilitating learning environments where methods are tested in real time through collective improvisation, relational score practices, and formats of shared embodied inquiry.

Currently working as a university lecturer at the Angewandte Performance Laboratory (APL), University of Applied Arts Vienna, Timothy has previously been a guest lecturer at institutions including FAU Erlangen–Nürnberg (DE), Tongji University Shanghai (CN), UWK University of Continuing Education Krems (AT), CMU - Chiang Mai University (TH), NTUA - National Taiwan University of the Arts (TW), École des Sables Senegal (SN), among others.Read more here.


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		<title>feature 4</title>
				
		<link>https://timothynouzak.com/feature-4</link>

		<pubDate>Wed, 28 Jan 2026 18:48:24 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

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		<description>Curation.

	
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Working across curatorial practice, artistic research, and performance, Timothy develops co-curatorial formats as sites of transpersonal exchange. Grounded in listening, translation, and shared decision-making, the curatorial interest lies in how knowledge can be made transferable without being flattened and how decision-making, responsibility, and access become legible through scores, protocols, and navigable archives.

Across co-curated platforms and site-responsive formats, such as "How We Ought To Be Together" with APL / INTRA – Archives in Practice and ImpulsTanz Vienna, "Practice(!) Symposium" at AIL &#38;amp; Künstlerhaus Wien, "Archive of Interactive Art" at VDU Vilnius, "Residual Matters" at k48, "Places of Counter" at MuseumsQuartier Vienna, ect., the focus lies in asking how transindividual dynamics within curatorial practice shapes participation, responsibility, and modes of attention across artistic contexts.Read more here.


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		<title>Featured-Projects</title>
				
		<link>https://timothynouzak.com/Featured-Projects</link>

		<pubDate>Sat, 24 Jan 2026 13:45:30 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

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		<description>Projects.


	Performing Archives – Process, Trace &#38;amp; Afterlife
Vienna&#60;img width="1280" height="777" width_o="1280" height_o="777" data-src="https://freight.cargo.site/t/original/i/fe2f99c2e4121c47c04a9cb99294848f0bf4f13562693d5fe52028a10a68ab96/Gro-IMG_7882.jpeg" data-mid="251223995" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/fe2f99c2e4121c47c04a9cb99294848f0bf4f13562693d5fe52028a10a68ab96/Gro-IMG_7882.jpeg" /&#62;
Maps of Entanglement
Taipei&#60;img width="1190" height="734" width_o="1190" height_o="734" data-src="https://freight.cargo.site/t/original/i/de796f5bb79fed192faf0dfc53a078edba4af4bd87f05c5b112e7badb799ffef/Bildschirmfoto-2026-02-17-um-14.13.16.png" data-mid="244916827" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/de796f5bb79fed192faf0dfc53a078edba4af4bd87f05c5b112e7badb799ffef/Bildschirmfoto-2026-02-17-um-14.13.16.png" /&#62;
Community as a Development Tool

Santa Margarida de Montbui
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Aus/Sprechen. Ver/Sprechen. Mit/Sprechen

Salzburg
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Common-Works 8.4
Zagreb
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How We Ought To Be Together (II.)
Vienna&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0c5ae998e91b040e1f953aa4704c10d015cd25a3eb9b72d839f2a15113e92bc3/IMG_1038059.jpg" data-mid="244103085" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0c5ae998e91b040e1f953aa4704c10d015cd25a3eb9b72d839f2a15113e92bc3/IMG_1038059.jpg" /&#62;Weaving Presence
Bangkok&#60;img width="3972" height="2476" width_o="3972" height_o="2476" data-src="https://freight.cargo.site/t/original/i/2868b8d9a4472d7251a5a88798527eab0c97354f72030d7937df50cd55750289/IMG_9828-min-.jpg" data-mid="244103114" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2868b8d9a4472d7251a5a88798527eab0c97354f72030d7937df50cd55750289/IMG_9828-min-.jpg" /&#62;
Encounters: Embodied matters of entanglementTaipei

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The language of movementChiang Mai

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Common-Works 6.8Kortrijk

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Common-Works 5.4Munich


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Common-Works 3.3Toubab Dialaw&#38;nbsp;


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© see picture property
	Collaboration redefined
Singapore

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Mapping Meaning
Nürenberg/Erlangen
&#60;img width="1214" height="771" width_o="1214" height_o="771" data-src="https://freight.cargo.site/t/original/i/8d10abbc95053a0eb099db27cd4ab20cc4b25b5a097e66203f2317d7c86beb8c/Gro-IMG_1492.jpeg" data-mid="244241609" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/8d10abbc95053a0eb099db27cd4ab20cc4b25b5a097e66203f2317d7c86beb8c/Gro-IMG_1492.jpeg" /&#62;

Places of (En-)CounterVienna
&#60;img width="1219" height="669" width_o="1219" height_o="669" data-src="https://freight.cargo.site/t/original/i/44544ca2497caaeff768ebe4c6bae3230f1e3f7727f28fbbc9d15a3630620ff8/MQ-APL-Victor-2025-07-27-211245_1.1.1.jpg" data-mid="244222005" border="0"  src="https://freight.cargo.site/w/1000/i/44544ca2497caaeff768ebe4c6bae3230f1e3f7727f28fbbc9d15a3630620ff8/MQ-APL-Victor-2025-07-27-211245_1.1.1.jpg" /&#62;

Common-Works 7.2 
Vienna 


&#60;img width="2546" height="1424" width_o="2546" height_o="1424" data-src="https://freight.cargo.site/t/original/i/ba9413fefc0ad977d990170d6cd81569d37064704cd0bc3e04432c85679ffd6e/Bildschirmfoto-2023-06-27-um-21.52.32.png" data-mid="243931568" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ba9413fefc0ad977d990170d6cd81569d37064704cd0bc3e04432c85679ffd6e/Bildschirmfoto-2023-06-27-um-21.52.32.png" /&#62;
Curating Presence
Chiang Mai
&#60;img width="977" height="643" width_o="977" height_o="643" data-src="https://freight.cargo.site/t/original/i/0b12b40278afc8ef21ce350e36b4fa7c51a885219e558ac461822f3d25d81400/4H1A9509-min-edit.png" data-mid="244103104" border="0" data-scale="87" src="https://freight.cargo.site/w/977/i/0b12b40278afc8ef21ce350e36b4fa7c51a885219e558ac461822f3d25d81400/4H1A9509-min-edit.png" /&#62;How We Ought To Be Together (I.)
Vienna&#38;nbsp;

&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/bcae953305f539f84dc41514a35f6e37ddd39a974421a84156005847a0fc348f/MG0559-cred.-Marlies-Surtmann.JPG" data-mid="244103115" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/bcae953305f539f84dc41514a35f6e37ddd39a974421a84156005847a0fc348f/MG0559-cred.-Marlies-Surtmann.JPG" /&#62;Urban Ecology: Sensing Grassroots Resilience
Shanghai

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/16f562f7ac6d2814f8d15d7af29fd84b913dc1ef962c82d353055b322fcee928/13135657_cred.Yunhe.jpg" data-mid="244103121" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/16f562f7ac6d2814f8d15d7af29fd84b913dc1ef962c82d353055b322fcee928/13135657_cred.Yunhe.jpg" /&#62;

Common-Works 5.7Leuven/Brussel

&#60;img width="7042" height="4700" width_o="7042" height_o="4700" data-src="https://freight.cargo.site/t/original/i/6e6b89e9fab2459dfa9a6046ede34662e4a8bb8686bfce1dc94c2d707f8a3ea1/AVATimothy210527-2095-Courtesy-Anne-Van-Aerschot.jpg" data-mid="243910799" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/6e6b89e9fab2459dfa9a6046ede34662e4a8bb8686bfce1dc94c2d707f8a3ea1/AVATimothy210527-2095-Courtesy-Anne-Van-Aerschot.jpg" /&#62;

Common-Works 4.2Amsterdam
&#60;img width="2556" height="1422" width_o="2556" height_o="1422" data-src="https://freight.cargo.site/t/original/i/cd1930de7694891b5b99c22b7436c625639daab893f665a79487b48d0c4ab2be/2-3.jpeg" data-mid="243910796" border="0"  src="https://freight.cargo.site/w/1000/i/cd1930de7694891b5b99c22b7436c625639daab893f665a79487b48d0c4ab2be/2-3.jpeg" /&#62;
Common-Works 2.3Taipei

&#60;img width="4201" height="2578" width_o="4201" height_o="2578" data-src="https://freight.cargo.site/t/original/i/f25b60811354e5c89e5ed2345413e94699c1706ce22baf88a172442da42998a2/DSC_5922-11.jpg" data-mid="243910798" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f25b60811354e5c89e5ed2345413e94699c1706ce22baf88a172442da42998a2/DSC_5922-11.jpg" /&#62;
Angewandte Practice(!) Symposium
Vienna
&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/c8fc11248e8b335de7a5b8f8b5298d66f378544d8ee2a359b4b43482a1c6a6c8/practice1Symposium_APL_SuchartWANNASET_DSC9634.JPG" data-mid="244241607" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/c8fc11248e8b335de7a5b8f8b5298d66f378544d8ee2a359b4b43482a1c6a6c8/practice1Symposium_APL_SuchartWANNASET_DSC9634.JPG" /&#62;


	See more ︎
	
</description>
		
	</item>
		
		
	<item>
		<title>Works</title>
				
		<link>https://timothynouzak.com/Works</link>

		<pubDate>Fri, 30 Jan 2026 19:56:28 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

		<guid isPermaLink="true">https://timothynouzak.com/Works</guid>

		<description>
	
	Common-Works.
	

&#60;img width="3456" height="2304" width_o="3456" height_o="2304" data-src="https://freight.cargo.site/t/original/i/a07aed8203a8af6a55e6bad1f7508d71511d8f5e3066bd0033f346277727b9fb/IMG_5436.JPG" data-mid="244221467" border="0"  src="https://freight.cargo.site/w/1000/i/a07aed8203a8af6a55e6bad1f7508d71511d8f5e3066bd0033f346277727b9fb/IMG_5436.JPG" /&#62;
© Wild Gallery Brussels

	
Common-Works is a guided space of exchange, a safe space, where a group of performers come together to improvise, share and experiment in order to find, on the basis of the ideas and concepts that circulated throughout the past editions of the score, a new possible access on what the next edition might be. The focus in the work lies in creating a safe and social space in order to develop a diverse array of conversational as well as practice-based strategies on how to share knowledge and formulate alternative representational structures in relation to the collective performing body.Funded by the Bundesministerium für Wohnen, Kunst, Kultur, Medien und Sport (BMWKMS), in support with 臺藝大造形表演工坊 Atelier Transformeurs, NTUA – National Taiwan University of Arts-台藝大, and 台北國際藝術村 Taipei Artist Village, ROSAS / P.A.R.T.S. – STUDIOS Creation Support Programme, École des Sables – Germaine Acogny / Jant-Bi, BAU Amsterdam, Brakke Grond, VEEM – House for Performance, Tanztendenz München e.V., Schwere Reiter Theater, Künstlerhaus Wien, among others.
&#60;img width="3456" height="2304" width_o="3456" height_o="2304" data-src="https://freight.cargo.site/t/original/i/9905870531d14c8fbd17a7a51d936e60c62b8a8e804f9c16c23524040ec65a19/IMG_5376.JPG" data-mid="244221466" border="0"  src="https://freight.cargo.site/w/1000/i/9905870531d14c8fbd17a7a51d936e60c62b8a8e804f9c16c23524040ec65a19/IMG_5376.JPG" /&#62;
© Wild Gallery Brussels
	

	Common-Works is based on semi-improvised movement score practices, which define events and experiences in space through the act of repetition. In the context of a continuous dialogue with the collaborating performers, the immediate improvisational area is slowly being left behind and the work becomes repeatable: a so-called „edition“ is created. Each time the edition is created and rehearsed with a new group of performers.&#38;nbsp;

Common-Works steadily oscillates between a process-based research where finite or productional aspects are being diverted and a performance practice that is shared within the frame of a public presentation. As such the project refers hereby to a multifaceted understanding of an audience: In the beginning the project is openly addressed to interested performers either via an open call or by a personal invitation on which basis they then might decide to join. Being part of the process, the agency for the invited performer changes to a collaborator. By continuing to develop ideas further, the collaborating performers start associate themselves with the works intent and aspirations, which subsequently is being shared with/ addressed to an audience - that is of an interested public that may already know prior editions. Processes of perception imply relation: By means of sensing and perceiving, it becomes a social container - a platform for exchange - that connects shared embodied availabilities.

	
Common-Works uses the contextual reference of the previous edition as a starting point in order to subsequently define new methods that can be applied artistically within discursive and emodied practices:&#38;nbsp;What processes arise in us when we perceive movement? What relations are at stake while enacting or perceiving a dance together? How much does our own upbringing precondition the understanding of a dance?
When a new edition of Common-Works starts, we are inviting on behalf or in conversation with the collaborating institution a new group of performers that we have never worked before. After initiating the encounter we are re organizing a personal one hour (skype) conversation with each of the collaborating performers. We get to know their background and aspirations in the project, introduce them to the content of the work as well as ask them to provide a specific practice that they would like to share in the beginning. Then we start our approx. 14 day research creation where we work each day and „compose through conversation“, an artistic gesture of Common-Works that (in)forms the overall project: it gives value and trust in the methodologies that have accumulated throughout the past editions whilst still opting to emancipate and liberate the performer’s agency and make them trust in their own doing and problem solving trough a semi-improvisational enactment.


&#60;img width="1946" height="1167" width_o="1946" height_o="1167" data-src="https://freight.cargo.site/t/original/i/d41164bb8127e452452b629704e51a237183aac09940fc31f8ea7e070df2a6a5/Bildschirmfoto-2021-11-03-um-07.01.46.png" data-mid="244221477" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d41164bb8127e452452b629704e51a237183aac09940fc31f8ea7e070df2a6a5/Bildschirmfoto-2021-11-03-um-07.01.46.png" /&#62;
© &#38;nbsp;Freda Fiala/ Timothy Nouzak
	
&#60;img width="3456" height="2304" width_o="3456" height_o="2304" data-src="https://freight.cargo.site/t/original/i/0808c36665f1910b46dc423908910c3b94a8bf297277a40820c36948f681f323/IMG_5449.JPG" data-mid="244221468" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/0808c36665f1910b46dc423908910c3b94a8bf297277a40820c36948f681f323/IMG_5449.JPG" /&#62;
© STUK Leuven


	Common-Works oscillates between an intimate, process-based research and a performative practice articulated within a public presentation:
	

Common-Works 8.4
Zagreb
&#60;img width="2444" height="1396" width_o="2444" height_o="1396" data-src="https://freight.cargo.site/t/original/i/5c24e03b7caefd3ca2cab56cffc53c6975137ccbe8e8ac6699926e0fc4d84ebd/Bildschirmfoto-2026-01-25-um-13.57.54.png" data-mid="244222012" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/5c24e03b7caefd3ca2cab56cffc53c6975137ccbe8e8ac6699926e0fc4d84ebd/Bildschirmfoto-2026-01-25-um-13.57.54.png" /&#62;

Common-Works 6.8Kortrijk


&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/8507a35089a40b7f6a203256901421d48b4b9cbdf7246b73770b8f0e874bd7be/LDB_4763.jpg" data-mid="244221478" border="0"  src="https://freight.cargo.site/w/1000/i/8507a35089a40b7f6a203256901421d48b4b9cbdf7246b73770b8f0e874bd7be/LDB_4763.jpg" /&#62;

Common-Works 5.4Munich


&#60;img width="2322" height="1302" width_o="2322" height_o="1302" data-src="https://freight.cargo.site/t/original/i/e1eaaabbad2df01c7a90455134b38337365d7c659a8a631774988109abc4bef2/140_cred_MarleneGotschlich.jpeg" data-mid="244221480" border="0"  src="https://freight.cargo.site/w/1000/i/e1eaaabbad2df01c7a90455134b38337365d7c659a8a631774988109abc4bef2/140_cred_MarleneGotschlich.jpeg" /&#62;

Common-Works 3.3Toubab Dialaw&#38;nbsp;


&#60;img width="2542" height="1406" width_o="2542" height_o="1406" data-src="https://freight.cargo.site/t/original/i/21d7ba3775a1b93734392bc4afa5a01a42458fa05dd209e7ba6eaf106f9dd6ce/7.jpg" data-mid="244221482" border="0"  src="https://freight.cargo.site/w/1000/i/21d7ba3775a1b93734392bc4afa5a01a42458fa05dd209e7ba6eaf106f9dd6ce/7.jpg" /&#62;
© see picture property

	
Common-Works 7.2 
Vienna 


&#60;img width="2546" height="1424" width_o="2546" height_o="1424" data-src="https://freight.cargo.site/t/original/i/ba9413fefc0ad977d990170d6cd81569d37064704cd0bc3e04432c85679ffd6e/Bildschirmfoto-2023-06-27-um-21.52.32.png" data-mid="244222011" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ba9413fefc0ad977d990170d6cd81569d37064704cd0bc3e04432c85679ffd6e/Bildschirmfoto-2023-06-27-um-21.52.32.png" /&#62;
Common-Works 5.7Leuven/Brussel


&#60;img width="7042" height="4700" width_o="7042" height_o="4700" data-src="https://freight.cargo.site/t/original/i/6e6b89e9fab2459dfa9a6046ede34662e4a8bb8686bfce1dc94c2d707f8a3ea1/AVATimothy210527-2095-Courtesy-Anne-Van-Aerschot.jpg" data-mid="244221484" border="0"  src="https://freight.cargo.site/w/1000/i/6e6b89e9fab2459dfa9a6046ede34662e4a8bb8686bfce1dc94c2d707f8a3ea1/AVATimothy210527-2095-Courtesy-Anne-Van-Aerschot.jpg" /&#62;

Common-Works 4.2Amsterdam

&#60;img width="2556" height="1422" width_o="2556" height_o="1422" data-src="https://freight.cargo.site/t/original/i/cd1930de7694891b5b99c22b7436c625639daab893f665a79487b48d0c4ab2be/2-3.jpeg" data-mid="244221481" border="0"  src="https://freight.cargo.site/w/1000/i/cd1930de7694891b5b99c22b7436c625639daab893f665a79487b48d0c4ab2be/2-3.jpeg" /&#62;

Common-Works 2.3Taipei&#38;nbsp;


&#60;img width="4201" height="2578" width_o="4201" height_o="2578" data-src="https://freight.cargo.site/t/original/i/f25b60811354e5c89e5ed2345413e94699c1706ce22baf88a172442da42998a2/DSC_5922-11.jpg" data-mid="244221483" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/f25b60811354e5c89e5ed2345413e94699c1706ce22baf88a172442da42998a2/DSC_5922-11.jpg" /&#62;


	Aus/Sprechen. Ver/Sprechen. Mit/Sprechen

Salzburg
&#60;img width="2071" height="1374" width_o="2071" height_o="1374" data-src="https://freight.cargo.site/t/original/i/9b3480435a8005d074889010c2d88479503bac19e9342c8193d7fcced5ac40dd/3.jpg" data-mid="244222014" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/9b3480435a8005d074889010c2d88479503bac19e9342c8193d7fcced5ac40dd/3.jpg" /&#62;© see picture property

	
	Places of (En-)CounterVienna
&#60;img width="1219" height="669" width_o="1219" height_o="669" data-src="https://freight.cargo.site/t/original/i/44544ca2497caaeff768ebe4c6bae3230f1e3f7727f28fbbc9d15a3630620ff8/MQ-APL-Victor-2025-07-27-211245_1.1.1.jpg" data-mid="244222013" border="0"  src="https://freight.cargo.site/w/1000/i/44544ca2497caaeff768ebe4c6bae3230f1e3f7727f28fbbc9d15a3630620ff8/MQ-APL-Victor-2025-07-27-211245_1.1.1.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Bio-About</title>
				
		<link>https://timothynouzak.com/Bio-About</link>

		<pubDate>Sat, 24 Jan 2026 13:46:27 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

		<guid isPermaLink="true">https://timothynouzak.com/Bio-About</guid>

		<description>
	
	&#60;img width="2304" height="3456" width_o="2304" height_o="3456" data-src="https://freight.cargo.site/t/original/i/13f1e67726c9d75aecae95338295ec1fb59902d76656defceae7fb0ca076c468/IMG_5705_cred.Vuyo-Mahashe.JPG" data-mid="243911342" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/13f1e67726c9d75aecae95338295ec1fb59902d76656defceae7fb0ca076c468/IMG_5705_cred.Vuyo-Mahashe.JPG" /&#62;
© M.Szydlowska / CA
	

	Timothy Nouzak is an Austrian-American artist and cultural studies researcher working at the intersection of choreography, socially engaged practice, and public-space research. His work develops culture- and community-oriented formats that treat participation, attention, and relational perception as compositional materials—often through scores, fieldwork, and performative interventions that test how bodies move with (and against) the infrastructures of everyday life.


Currently, Timothy is a Research Fellow at the Angewandte Performance Laboratory (APL), University of Applied Arts Vienna, and pursues his doctoral studies in collaboration with the Faculty of Cultural Sciences at the University of Salzburg. Alongside his artistic practice, he works as a strategy consultant at D/Arts Project Office for Diversity and Urban Dialogue. Together with Charlotta Ruth, he coordinates the funded research project How We Ought To Be Together (APL / INTRA “Archives in Practice”), exploring alternative methods for decision-making and feedback as practices of relational presence.Timothy Nouzak trained in classical ballet at the Vienna State Opera Ballet School (”Ballettakademie der Wiener Staatsoper“) and completed with 19 years old his first B.A. in Dance at the Music and Arts University of Vienna. He later joined P.A.R.T.S. (Performing Arts Research and Training Studios, Brussels) for the Training Cycle and the STUDIOS M.A. Program (Generation 12). Further he was part of IPSD University of Applied Arts Vienna and Tongji University Shanghai, with a focus on documenting artistic practices connected to sustainability and social engagement. He finished 4 Master's degrees&#38;nbsp;in M.A. Choreography (P.A.R.T.S., Brussels), M.E. Media &#38;amp; Communication Design (Tongji University, Shanghai), M.A. Sustainabilty Science and M.A.S. Cultural Management (University of Applied Arts Vienna).


	Besides focussing on his own artistic work and academic research within the last years, Timothy has, in the past, performed with Shelley Senter/Trisha Brown “Set and Reset/Reset” at ImPulsTanz Festival (AT), P.A.R.T.S./Rosas “Somnia” at Kunstenfestivaldesarts (BE), Rosas “Drumming” at CN D during Festival d'Automne de Paris (FR), Benjamin Vandewalle „Derailed“ at KAAP Ostend (BE), Gerard&#38;amp;Kelly “Reusable Parts/Endless Love” at Festival Camping Asia, in Taipei (TW), Ivo Dimchev “Avoiding deLIFEath” at ImPulsTanz Festival (AT), Anton Lachky “Golden Jumpers” at CCB-Bleiburg Festival (SK), Sukina Abdul Noor “Duality” at Passa Porta Festival (BE), Phoebe Berglund “Static” at Boghossian Foundation/Villa Empain (BE), Willi Dorner “Living Room” at Sonnwendviertel (AT), 'WHATWEARE'/SubsTanz, at S. Giorgio Festival Udine (IT). In 2019, the director Tina Leisch invited Timothy to co-choreograph “Traiskirchen,” a political performance work for 48 performers from various backgrounds with its premiere in the frame of “Wiener Festwochen” at Volkstheater. In 2021, Timothy founded a non-profit art collective called "WEMOVE - zur Förderung junger performativer und experimenteller Kunst" in Vienna (AT).


Over the past years, Nouzak has received multiple project and fellowship awards, supporting work developed in Brussels, Leuven, Amsterdam, Munich, Vienna, Reggio Emilia, Taipei, Dakar, and Bangkok. He is also a recipient of the l’Or Fellowship Award (Gagosian) and the Darrel Toulon Prize (Ursula Gigler-Gausterer). His projects have been produced with partners across Europe, Africa, and Asia, including Taipei Artist Village, National Taiwan University of the Arts, École des Sables, ARThailand, Chiang Mai University, Silpakorn University Bangkok, BAU Amsterdam, Brakke Grond, Tanztendenz, Veem House for Performance, Schwere Reiter, P.A.R.T.S., WILD Gallery, Zaman, STUK Leuven, BUDA Kunstencentrum, Künstlerhaus Wien, Ecology and Cultures Lab Shanghai, Sense Gallery Beijing, Danspunt, Connect vzw., Passerelle, and others.


&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/98c44b1356ee2508a4f9a742d7639d58c522c96e2b63927769f03aebfe3efba2/36487232_10156496371807329_8694058815596789760_o.jpeg" data-mid="243911355" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/98c44b1356ee2508a4f9a742d7639d58c522c96e2b63927769f03aebfe3efba2/36487232_10156496371807329_8694058815596789760_o.jpeg" /&#62;
© Compania&#38;nbsp;Cristian Duarte


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© Ernst Van Deursen / Jennifer Tee Secession Vienna

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© Luc Depreitere / Danspunt&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/16f2d7e2a7086cb9087e8d9a9b314632dce5b12c5baa03eb4295607876b8db78/ZPC-Timothy-Nouzak_43.jpg" data-mid="244172231" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/16f2d7e2a7086cb9087e8d9a9b314632dce5b12c5baa03eb4295607876b8db78/ZPC-Timothy-Nouzak_43.jpg" /&#62;
© ZPC / ÖKF Zagreb&#38;nbsp;
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© Suchart Wannaset / APL

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© Charlotte Cétaire / P.A.R.T.S.&#38;nbsp;
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© Raphaela Baumgartner / Tanztendenz

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© Luc Depreitere / Danspunt

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© David Plas / SNCB Europalia&#60;img width="2547" height="1515" width_o="2547" height_o="1515" data-src="https://freight.cargo.site/t/original/i/ebc4a69945f0df31f1a37df665564840dbf71b882a8f9ff78011a31ef02ee4bf/IMG_4203_Woraphon-Aintayot_PTIS-Kopie.JPG" data-mid="243911357" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/ebc4a69945f0df31f1a37df665564840dbf71b882a8f9ff78011a31ef02ee4bf/IMG_4203_Woraphon-Aintayot_PTIS-Kopie.JPG" /&#62;© Woraphon Aintayot / PTIS
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© Woraphon Aintayot / PTIS
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	<item>
		<title>Research</title>
				
		<link>https://timothynouzak.com/Research</link>

		<pubDate>Fri, 30 Jan 2026 19:55:38 +0000</pubDate>

		<dc:creator>Timothy Nouzak</dc:creator>

		<guid isPermaLink="true">https://timothynouzak.com/Research</guid>

		<description>

	
	Research.
	

        Transient Relations.Transindividuation and Embodiment within the Ecosystems of the Now
2024-2027
        Within the framework of this doctoral research project, Timothy examines dance and performance as socio-cultural formations shaped by shifting regimes of contemporaneity and (critical) globalism. The research investigates how aesthetic practices are mediated by their institutional and geopolitical conditions.
        The project reflects on transindividuation, collectivity, and embodiment as key catalysts for societal change by rethinking how responsibility, participation, and decision-making take form within evolving transnational artistic ecosystems and their infrastructures of production, circulation, and legitimation.
        Funded by BMBWF - Bundesministerium für Bildung, Wissenschaft und Forschung.
        Read more ︎︎︎
        
        
        How We Ought To Be Together
 2023-2024The social&#38;nbsp;as material."How We Ought To Be Together" (HOWTBT) as a peer-to-peer feedback project is driven by the overarching goal of rethinking cultures of participation and the utilization of the social as material within performative practice.The project incorporated a combination of artistic and scientific methodologies through embodied communication design and feedback practice by exploring alternative cultures of participation, fostering collective decision-making processes, and creating an inclusive and empowering environment within and beyond the university context. One of the goals was to provide adequate project funding for the invited HOWTBT artist projects. After an open call at the University of Applied Arts, three projects were accompanied by mentors and received peer feedback from Claudia Bosse, Lucia Rosenfeld &#38;amp; Winona Hudec, as well as group feedback sessions hosted by APL artists Jasmin Schaitl and Mariella Greil. The further development of the works was also supported through Archives in Practice, the research of Charlotta Ruth, together with Performatorium (Olivia Jaques, Marlies Surtmann). Additionally, the project sought to integrate embodied feedback practices, drawing on the expertise of PhD researcher Jasmin Schaitl, who developed a specific vocabulary of feedback practice modalities tailored to the individual embodied needs of groups.Embodied communication design formed a fundamental pillar of the HOWTBT project. By emphasizing the use of the body as a powerful tool for expression and connection, participants were encouraged to explore the intersections between art, communication, and social change. This approach allowed for a deeper engagement with diverse perspectives of what in our current times participation can mean and facilitated the development of projects that resonated on a sensory and affective level with others. Through embodied communication design, participants aimed to reflect on traditional forms of communication by rethinking forms of dialogue and reflection that extended beyond the individual.

        
        Project Lead: Charlotta Ruth, PhD and Timothy Nouzak
        In collaboration with: Performatorium (Olivia Jaques and Marlies Surtmann), Mariella Greil, PhD and Jasmin Schaitl
        Invited Artist Projects: Charlotte Bastam &#38;amp; Verena Frauenlob, Valentino Skarwan &#38;amp; Su Huber, Aleksandar Gabrovsky &#38;amp; Kaloyan Vasev, Shahrzad Nazarpour &#38;amp; Mortezad Mohammadi
&#38;nbsp;Supported by: APL - Angewandte Performance Laboratory, HUFAK and the INTRA research project 'Archive in Practice’

        
Read more ︎︎︎
        
 
&#38;nbsp;


Common-Works&#38;nbsp;&#38;nbsp;2019-2021


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© Wild Gallery Brussels

	
Common-Works is a guided space of exchange, a safe space, where a group of performers come together to improvise, share and experiment in order to find, on the basis of the ideas and concepts that circulated throughout the past editions of the score, a new possible access on what the next edition might be. The focus in the work lies in creating a safe and social space in order to develop a diverse array of conversational as well as practice-based strategies on how to share knowledge and formulate alternative representational structures in relation to the collective performing body.
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© Wild Gallery Brussels
	

	Common-Works is based on semi-improvised movement score practices, which define events and experiences in space through the act of repetition. In the context of a continuous dialogue with the collaborating performers, the immediate improvisational area is slowly being left behind and the work becomes repeatable: a so-called „edition“ is created. Each time the edition is created and rehearsed with a new group of performers.&#38;nbsp;

Common-Works steadily oscillates between a process-based research where finite or productional aspects are being diverted and a performance practice that is shared within the frame of a public presentation. As such the project refers hereby to a multifaceted understanding of an audience: In the beginning the project is openly addressed to interested performers either via an open call or by a personal invitation on which basis they then might decide to join. Being part of the process, the agency for the invited performer changes to a collaborator. By continuing to develop ideas further, the collaborating performers start associate themselves with the works intent and aspirations, which subsequently is being shared with/ addressed to an audience - that is of an interested public that may already know prior editions. Processes of perception imply relation: By means of sensing and perceiving, it becomes a social container - a platform for exchange - that connects shared embodied availabilities.

	
Common-Works uses the contextual reference of the previous edition as a starting point in order to subsequently define new methods that can be applied artistically within discursive and emodied practices:&#38;nbsp;What processes arise in us when we perceive movement? What relations are at stake while enacting or perceiving a dance together? How much does our own upbringing precondition the understanding of a dance?
When a new edition of Common-Works starts, we are inviting on behalf or in conversation with the collaborating institution a new group of performers that we have never worked before. After initiating the encounter we are re organizing a personal one hour (skype) conversation with each of the collaborating performers. We get to know their background and aspirations in the project, introduce them to the content of the work as well as ask them to provide a specific practice that they would like to share in the beginning. Then we start our approx. 14 day research creation where we work each day and „compose through conversation“, an artistic gesture of Common-Works that (in)forms the overall project: it gives value and trust in the methodologies that have accumulated throughout the past editions whilst still opting to emancipate and liberate the performer’s agency and make them trust in their own doing and problem solving trough a semi-improvisational enactment.


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© &#38;nbsp;Freda Fiala/ Timothy Nouzak
	
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© STUK Leuven


	Common-Works oscillates between an intimate, process-based research and a performative practice articulated within a public presentation:
	

	Common-Works 6.8Kortrijk 2021


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Common-Works 5.4Munich2020


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Common-Works 3.3Toubab Dialaw 2020


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© see picture property

	Common-Works 5.7Leuven/Brussels2021


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Common-Works 4.2Amsterdam2020

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Common-Works 2.3Taipei 2019


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